A series of films at Sundance, which was the subject of homosexuality and the rejection of the societies around them. For me, a fact that has been the most successful of the group. Perhaps because the stakes feel higher, perhaps due to the expertise that went into the creation and implementation of the project, or maybe it has something to do with where he was killed - but one thing is certain, is a great movie deserves to be recognized ...
Although this film is an American film made, the film was shot mainly located in Iran, and you must be willing to read a few subtitles RI (do not worry, you can do, and there is enough to compensate for the sexy nudity) . The position of the film was nothing, he ordered that the culture, people, politics - and then broke no preconceived notions you may have, and showed you the reality of what it is, especially these two women.
This film plays with clichés and then breaks. Older generations are more open than the younger ones, as Iranian women look at the struggles of being in position to attack women - this movie is not what you expect when you see "The history of lesbian lesbian Iranians" It's fast, honest, colorful - This is not the cliché. "indie" with slow scenes and innuendo, it's a film of fat from a fat narrator.
There were a number of situations in which amazed what exactly is going on behind closed doors. While homophobia is a global epidemic, there is no doubt that you could feel the pressure for both the people and government are pressing them. With everything against them, holding a paper, they had to find ways to act and fight. There was no sex, nudity, drugs, dances and much into this movie so many others, and rightly so. You can not punish a person so far before they need to get out and this film does exactly that.
He took the film to another level shows. Although women in this movie was great and had more than both emotionally and physically, the man who plays the father, Soheil Parsa, steals nearly every scene they are in. He is so subtle and yet you know what's going on. Surprisingly this is he who will pull your hearstrings because he fights for what is really fair, but can not make a difference. He will do anything to keep her family together and happy. It's really doing good and the moral compass of the film ... which is a nice change from the norm in a movie like this.
Players:
Author / Director: Maryam Keshavarz
Starring: Nikohl Boosheri, Sarah Kazemy, Sixo Reza Safai, Soheil Asparagus, Nasr Pakkho, Sina Amedson, Heap Mohajer
Producer: Karin Chien, Maryam Keshavarz, Melissa Lee
Composer: Shankar Gingger
Photographer: Brian Rigney Hubbard
Overall:
First-time director Maryam had a very specific style shooting which is something you really look at Sundance. A number of beginners make films with great potential but they need time to come to their actual style of cinema. In this film, Maryam is the corner swinging. Style camera, the brilliant use of music and dance, color and movement - it makes a strong statement about who she is also an instructor and gives us a lot to be happy in the future.
Fortunately, this film get picked up, so hopefully it will be in theaters later this year. The more I think it resonates more with me, I can not get it out of my head. This is a great choice, beautiful and fun, but meaningful and deep - not to be missed!
