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A series of films at Sundance, which was the subject of homosexuality and the rejection of the societies around them. For me, a fact that has been the most successful of the group. Perhaps because the stakes feel higher, perhaps due to the expertise that went into the creation and implementation of the project, or maybe it has something to do with where he was killed - but one thing is certain, is a great movie deserves to be recognized ...

Although this film is an American film made, the film was shot mainly located in Iran, and you must be willing to read a few subtitles RI (do not worry, you can do, and there is enough to compensate for the sexy nudity) . The position of the film was nothing, he ordered that the culture, people, politics - and then broke no preconceived notions you may have, and showed you the reality of what it is, especially these two women.

This film plays with clichés and then breaks. Older generations are more open than the younger ones, as Iranian women look at the struggles of being in position to attack women - this movie is not what you expect when you see "The history of lesbian lesbian Iranians" It's fast, honest, colorful - This is not the cliché. "indie" with slow scenes and innuendo, it's a film of fat from a fat narrator.

There were a number of situations in which amazed what exactly is going on behind closed doors. While homophobia is a global epidemic, there is no doubt that you could feel the pressure for both the people and government are pressing them. With everything against them, holding a paper, they had to find ways to act and fight. There was no sex, nudity, drugs, dances and much into this movie so many others, and rightly so. You can not punish a person so far before they need to get out and this film does exactly that.

He took the film to another level shows. Although women in this movie was great and had more than both emotionally and physically, the man who plays the father, Soheil Parsa, steals nearly every scene they are in. He is so subtle and yet you know what's going on. Surprisingly this is he who will pull your hearstrings because he fights for what is really fair, but can not make a difference. He will do anything to keep her family together and happy. It's really doing good and the moral compass of the film ... which is a nice change from the norm in a movie like this.

Players:

Author / Director: Maryam Keshavarz

Starring: Nikohl Boosheri, Sarah Kazemy, Sixo Reza Safai, Soheil Asparagus, Nasr Pakkho, Sina Amedson, Heap Mohajer

Producer: Karin Chien, Maryam Keshavarz, Melissa Lee

Composer: Shankar Gingger

Photographer: Brian Rigney Hubbard

Overall:

First-time director Maryam had a very specific style shooting which is something you really look at Sundance. A number of beginners make films with great potential but they need time to come to their actual style of cinema. In this film, Maryam is the corner swinging. Style camera, the brilliant use of music and dance, color and movement - it makes a strong statement about who she is also an instructor and gives us a lot to be happy in the future.

Fortunately, this film get picked up, so hopefully it will be in theaters later this year. The more I think it resonates more with me, I can not get it out of my head. This is a great choice, beautiful and fun, but meaningful and deep - not to be missed!

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watch one day online ,Surprisingly, the human characters who are not as well done. How the evolution of Caesar is unique and irresistible, most other actors in the film is reduced to very traditional roles. Franco Rodman is busy, but scientific, sensible, that breaks the rules for all the right reasons. The actor is a skilled job of interacting with CGI Caesar - and the pumping of credible emotion on the human side of the equation. But even a talented artist as something Franco hold the interest of the film in its monkey counterpart, therefore, reacts Rodman especially what is happening around him - and it is not given much room to grow. Similarly, Freida Pinto Aranhas plays Caroline, a veterinarian who is involved with Rodman - another character who is best defined by a relationship, not his actions. Again, Pinto, offers acceptable performance in the role, but are not given over to take it.

Lithgow has some lovely moments, but the support of other characters - animal shelter, particularly cruel guard John Dodge and Landon (Brian Cox and Tom Felton, respectively) - are a cartoon in mind - and money, David Oyelowo hunger executive Steven Jacobs.

Someone tries to Rise of a Planet of the Apes put the upper limit of the summer action spectacle will probably get pulled down by the rhythm of the film Wyatt. Although the CGI-heavy final action, Rise of the Planet of the Apes is a drama, for the most difficult - which includes many different views, but mostly small meetings. Although not everything that was described on the screen is interesting, and strives to successfully develop the character of Caesar, the film does not hang down at times. Final Act provides a number of interesting graphics (especially in an empty suburban street lined with trees - and falling leaves), and successfully describes the actual increase of monkeys - but no one expects large, full of action, Final could be a little 'disappointed.

Planet of the apes hardliners undoubtedly notice some nods to the original films dotted up (especially one in the nose during the credits sequence). However, it is important to note that anyone who may be turned off by the kitsch sci-fi roots of the film, the tie-ins are inherent in the story much more attractive psychological development of Caesar. As mentioned, the heavy hand of the image world of monkeys can master the movie marketing campaign, but the real story and the characters portrayed on the screen with success over the bombing of public relations to offer a experience moviegoers unique and attractive.

Despite the thin human drama, and a note of support characters, Rise of the Planet of the Apes is a surprisingly straightforward story that raises the gun franchise - and offers one of the most vivid and honest ever made with a digital and 0 is on a computer.

But for viewers who are locked in moments of character in the film, maintains the last set-piece to provide both a dramatic and emotional pay-off - not to mention the chance to link the global film franchise (although rise takes some liberties with the accepted canon).